Alicia Viguer

Alicia Viguer Espert

Born and raised in Valencia, Spain, Alicia Viguer-Espert travelled the world, learned English as an adult and on her first writing attempt, (2017) was the winner of the San Gabriel Valley Poetry Festival Book with her chapbook To Hold a Hummingbird. In 2021 Four Feather Press published her chapbook Out of the Blue Womb of the Sea. She writes about relationships to nature, identity, language, home, and soul. Her work has been published in national and international journals, anthologies, and magazines. She was selected as one of the “Top 39 L.A. Poets of 2017,” one of “Ten Poets to Watch on 2018,” in the Special Edition” by Spectrum Publications, and “Editor’s Choice” by Panoply in 2022. Alicia is a 2019 and 2020 Pushcart nominee.

Born and raised in Valencia, Spain, Alicia Viguer-Espert travelled the world, learned English as an adult and on her first writing attempt, (2017) was the winner of the San Gabriel Valley Poetry Festival Book with her chapbook To Hold a Hummingbird. In 2021 Four Feather Press published her chapbook Out of the Blue Womb of the Sea. She writes about relationships to nature, identity, language, home, and soul. Her work has been published in national and international journals, anthologies, and magazines. She was selected as one of the “Top 39 L.A. Poets of 2017,” one of “Ten Poets to Watch on 2018,” in the Special Edition” by Spectrum Publications, and “Editor’s Choice” by Panoply in 2022. Alicia is a 2019 and 2020 Pushcart nominee.

Remembering the Monastery

Between the damaged roof and the walnut tree
slightly to the right, I watched Venus appear
using a celestial method long discovered
by astronomers who registered astral details
as we, scribes, illuminated manuscripts
in the dim light of the scriptorium.

Those days were sacred, when a robin
sitting on the window sill to preen its tail
caught the brothers’ attention and they
lifted their heads from smooth parchment,
interrupted grinding lapis for a minute
to smile at birds’ ease to reach heaven.

Today the empty monastery stands silent,
stone walls crumbled, beehives destroyed,
all bees dying in clusters from pesticides,
its orchard burned years ago, the pigsty
covered with ivy, only a single walnut tree
stands by the wooden door cracked by sun.

There is a Poem on the Floor

says my husband as he passes by.
I pick up the 8½ x11 sheet of paper
which is blank, realize the poem
is on the floor planks shimmering
burgundy under the light.

The slightly worn center of the hallway
has a history, a tiny splinter,
by the toe kick sun rays have lightened
its hard wood grain, one can see tree rings,
imagine its life at Mount Olympus,
watch Aphrodite lean on it standing
vigilant to protect her from Hermes
plans to trade sandals for favors.

My grandfather built it and danced
for years practicing Flamenco steps,
grandma walked from kitchen to bedroom
to tend their only daughter, my mother,
to a patio and garden where artichokes’
silky filaments bloomed iris purple.
She opened drapes to allow the morning in
the smell of coffee out, thru window screens.

My mother liked mechanical trains
the ones wound up with a key,
a damaged collection I inherited,
sat on a bench with a pillow by the bay window
to read her books, until my father courted her;
both lounged on a sofa, feet on the floor,
which have been sanded, stained
and polished so many times.

Still looks good. My husband and I
live in that house now which has so many
memories, mostly belonging to others,
lying on the floor like a poem.