Alicia Viguer

Alicia Viguer Espert

Born and raised in Valencia, Spain, Alicia Viguer-Espert travelled the world, learned English as an adult and on her first writing attempt, (2017) was the winner of the San Gabriel Valley Poetry Festival Book with her chapbook To Hold a Hummingbird. In 2021 Four Feather Press published her chapbook Out of the Blue Womb of the Sea. She writes about relationships to nature, identity, language, home, and soul. Her work has been published in national and international journals, anthologies, and magazines. She was selected as one of the “Top 39 L.A. Poets of 2017,” one of “Ten Poets to Watch on 2018,” in the Special Edition” by Spectrum Publications, and “Editor’s Choice” by Panoply in 2022. Alicia is a 2019 and 2020 Pushcart nominee.

Born and raised in Valencia, Spain, Alicia Viguer-Espert travelled the world, learned English as an adult and on her first writing attempt, (2017) was the winner of the San Gabriel Valley Poetry Festival Book with her chapbook To Hold a Hummingbird. In 2021 Four Feather Press published her chapbook Out of the Blue Womb of the Sea. She writes about relationships to nature, identity, language, home, and soul. Her work has been published in national and international journals, anthologies, and magazines. She was selected as one of the “Top 39 L.A. Poets of 2017,” one of “Ten Poets to Watch on 2018,” in the Special Edition” by Spectrum Publications, and “Editor’s Choice” by Panoply in 2022. Alicia is a 2019 and 2020 Pushcart nominee.

Remembering the Monastery

Between the damaged roof and the walnut tree
slightly to the right, I watched Venus appear
using a celestial method long discovered
by astronomers who registered astral details
as we, scribes, illuminated manuscripts
in the dim light of the scriptorium.

Those days were sacred, when a robin
sitting on the window sill to preen its tail
caught the brothers’ attention and they
lifted their heads from smooth parchment,
interrupted grinding lapis for a minute
to smile at birds’ ease to reach heaven.

Today the empty monastery stands silent,
stone walls crumbled, beehives destroyed,
all bees dying in clusters from pesticides,
its orchard burned years ago, the pigsty
covered with ivy, only a single walnut tree
stands by the wooden door cracked by sun.

Nocturnal Fear

I listen to the smooth rowing of his breath
from one shore to the other side of dreams,
consciousness, a gently rhythm of sloshing
water fills the bedroom like music.

I panic when it deviates its course
the lengthy pause of a median size rock.
I fear the boat not reaching its destination,
getting stucked in the middle of the river,
currents frozen, wind paralyzed in midair,
a suspended cloud adrift from her sisters,
gone, dissolved into nothingness.

He’s not aware, of course, of my anxiety,
my watchful eye scanning the surrounding
darkness, my attuned ear bent like a leaf
in the direction of his green center.

I cross my hand over his heart,
let it rest until I feel a movement,
the soft vibration of the soul
inhabiting his chest.